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"Writing is the only thing that, when I do it, I don't feel I should be doing something else." -- Gloria Steinem
Seminars Free Expressions
High Tension

 
A three-and-a-half day course devoted to the creation of breathtaking, page-turning fiction!

This new workshop with Donald Maass explores THE key ingredient for writing success:

TENSION ON EVERY PAGE!

Through lively discussion and structured exercises dealing with your manuscript-in-progress, you’ll learn how to make your novel irresistible—to agents, editors, and readers.

 
 
“One of the misconceptions of strong writing is that tension means plot. Set the main conflict quickly, and you’ve got your reader hooked. Wrong! What keeps us reading is micro-tension on a line-by-line basis. Thus, I stress building tension on every page—meaning tension in dialogue, action, and exposition. Then tension in scenes. Next, tension in premise. Finally, and only then, tension in plot.” – Donald Maass
 
 

 

PLANNED SCHEDULE:

THURSDAY (FULL DAY): MICRO-TENSION:

Today’s focus: how to make every word, every line, every paragraph, and every page of your manuscript rich and compelling. We’ll look at examples from published works and from student pages. Attendees will work alone and in groups to rewrite pages for maximum tension, then we’ll come back together to share and discuss the revised works.

FRIDAY (FULL DAY): SCENE TENSION

Students will work on one random scene in their manuscripts, breaking it down to its bare bones and rebuilding it. We’ll start from the turning point and work backward to the opening. Every addition will be examined for its contribution to tension. In the afternoon the students will rewrite their scenes, and again, we’ll come back together to share our work as a group. This exercise is a powerful lesson in both the mechanics of scene-building and the creation of potent moments of maximum impact.

SATURDAY (FULL DAY): PREMISE AND PLOT TENSION

Today, students will share their story premises, reading their “pitches” or brief query letters. Then we’ll ask, “What are the most compelling elements here?” We’ll hone in on these essentials and work to bring them into sharper relief. Then we’ll toss out other ideas for creating the unusual, the unexpected, and the deeply compelling.

In the afternoon, we’ll turn our attention to larger issues of plot, with a focus on how stake-raising steps become critical turning points. We’ll also discuss subtext, antagonist success (vs. protagonist setbacks), cliffhangers—and more.

SUNDAY (HALF DAY): WRAP-UP/FIRE IN YOUR FICTION:

Students and staff will share their favorite passages from their own works and the works of others.

Also featuring: FIRE IN YOUR FICTION: A brief intensive on using your passion to add life to your writing. With all new material from Don Maass’s upcoming book.

 
 
“By rewriting an old reject using Don’s mantra of tension on every page, I had a publishing contract within six months. I love my agent, but she didn’t teach me the final bit of craft that pushed me over. Donald Maass did.” -- Jack Getze, BIG NUMBERS and BIG MONEY
 
 

April 16 — April 19, 2009: Chicago, IL
Doubletree Hotel Oak Brook

NEW STUDENTS:
$499 before February 25, 2009$549 thereafter

RETURNING STUDENTS*:
$469 before February 25, 2009/$519 thereafter
 
 

June 25 — 28, 2009: Providence, RI
Nylo Hotel

NEW STUDENTS:
$499 before April 25, 2009/$549 thereafter

RETURNING STUDENTS*:
$469 before April 25, 2009/$519 thereafter

Donald Maas, Literary Agent

Donald Maass, a top agent for fiction writers and author of Writing the Breakout Novel, leads participants through practical writing exercises that plumb depths of character, raise stakes both public and personal, add plot layers, heighten sense of time and place, strengthen point of view and voice, deepen themes, transform openings, and develop the brainstorming skills that produce consistently original stories.

Donald Maass has helped many mid-list and genre authors transform their careers. His twenty-five years of experience can help you, too.

REGISTER NOW

 

 
  Workshop fee includes refreshments; lunch on Thursday, Friday, and Saturday; book-signing and reception with hors d’oeuvres on Saturday night; workshop materials, and more.

Students are responsible for their own lodging and other meals. Discounted hotel room rates available.

See registration confirmation for further details.

*“Returning student” refers to any student who has attended either a Breakout Novel weekend workshop or Breakout Novel Intensive, sponsored by Free Expressions Seminars. Other day-long or weekend programs sponsored by other organizations don’t, unfortunately, apply.